关于读后感的作文600字7篇

　　无论是身处学校还是步入社会，大家都经常看到作文的身影吧，通过作文可以把我们那些零零散散的思想，聚集在一块。那么你有了解过作文吗？下面是我整理的读后感的作文600字7篇，仅供参考，大家一起来看看吧。

读后感的作文600字 篇1

　　长长的寒假中，我如饥似渴地读了许多好书。这些书犹如一股股清泉滋润着我的心田，如同一束束阳光温暖了我的生命。我与故事中的人物同喜、同乐、同忧、同悲，故事中主人公的命运时刻牵动着我的心。而在这些书中最让我记忆深刻的是《夏洛的网》。

　　这本书最打动我的是一只蜘蛛和一头小猪间的真挚友谊。当小猪威尔伯知道猪的命运就是被杀变成熏肉火腿，并吓得大哭起来时，夏洛挺身而出，用自己的丝编织了一张张神奇的“预言”网，这些网不仅挽救了威尔伯的生命，还让它成为一头“王牌猪”，一头赢得特别奖，一头可以安享天年的猪。可是夏洛却悄无声息地走了。

　　读完这本书，我被夏洛无私的爱深深地震撼了。是啊，夏洛为了威尔伯付出了太多太多——是谁在威尔伯孤单寂寞的时候陪着它，与它说话？是夏洛；是谁？挽救了威尔伯的命运？是夏洛；是谁为了朋友，无时无刻不在辛劳着，即使临死前也在为朋友着想？是夏洛；又是谁，为了它朋友付出了生命？还是夏洛。为什么夏洛为了一只与它毫无血缘关系，甚至在与它在以前素不相识的朋友献出了生命？——只因为“我们是好朋友”。好一个真挚的友情啊！

　　扪心自问，我在朋友遇到困难和逆境时，是否也能像夏洛一样伸出援手，尽自己最大的努力去帮助朋友呢？大概我是做不到的。虽然，我也非常珍惜朋友之间的友谊，但和夏洛比较起来，我还差得很远。今后，我要好好向夏洛学习，在生活中与朋友相处时，也像“夏洛”一样去无私奉献，珍惜那来之不易的友谊。

　　夏洛用蜘蛛丝编织了一张爱的大网，用生命织成了一张友谊的大网，这张网挽救了威尔伯的生命，这张网让我们感动一生。《夏洛的网》演绎的是一个不普通的故事，网络的是一段不一样的真情，衷心地希望我们每个人的心里都有一张“夏洛的网”！

读后感的作文600字 篇2

　　在我看来，这篇文章是作者发给人生的一封感谢信，他试图通过这次写作来回顾自己以往生活，尤其是双腿残废之后，那段艰难的岁月，陪伴他的人或物。作者是幸运的人，当时的情景很容易就可以联想到，二十出头青年，意气风发，正是大展才华，挥洒青春的年纪，就这样瘫了，出行不方便那到是次要，而在内心的愤慨与寂寥是常人无法体会的，于是他暴戾，阴郁。

　　然而，他的头脑还是清醒的，他努力的克制自己，于是他遇到了地坛，也可以说是地坛找到了他，亘古不变的景象转化为内心的震撼，遍地的萧条，却让内心孤独的他找到了心灵的家园，于是他爱上了这里，这里的一切仿佛是专门为他设计的，宁静，空旷，没有人来打搅，他可以静静的坐在那，抑或看书抑或发呆，于是，先前的躁动便被地坛这宽宏的大气所吞噬，可以说，这使心灵的沉淀。

　　可叹的是，作者忘记了，他不是弃儿，在他痛苦时还有一个人比他更痛苦，那就是他的母亲，年轻却饱受苦难的儿子，行动不方便，内心爆动，烦躁，却偏偏一个人去了那荒芜的地坛，作为母亲，怎能不担心，但只能待在房间干等，内心的煎熬却在激烈的进行，她没有错，但此刻却在默默忍受儿子给自己的惩罚，母爱是宽容的，儿子的安全才是她现在最担心的。

　　回忆过往，当年那个自暴自弃的少年已经长大，于是他缅怀着那段时光，在那艰难岁月中对生命的理解，以及母亲给予的关爱与启发，地坛里他自省，弥漫着浓郁的人生况味，但那只说明过去，现在，作者有了自己的理解：幸福之路永远掌握在自己手中。

读后感的作文600字 篇3

　　读完《小朵朵和超级保姆》一书，使我的敬佩之情油然而生。这本书语言生动，内容诙谐幽默，读过之后受到感染，高兴的种子播入我的心田。

　　由于朵朵的爸爸妈妈出去度蜜月，小朵朵家里来了一位超级保姆，她们之间发生了许多有趣的故事！

　　刚开始，因为家里来了这位胖保姆，朵朵一时搞不清她来做什么，在数学课上开小差画画，被严老师严重警告。回家后，谜底终于被揭开了。吃完饭，胖保姆要朵朵自己洗碗，因为朵朵非常讨厌这位胖保姆。所以朵朵说：“本小姐的苦日子就要开始了！”

　　夜里，超级保姆要朵朵睡在衣橱里，哈哈，朵朵在衣橱里，做了一个香香甜甜的好梦。她梦见，刘老师在课上给他们煮甜滋滋的热巧克力，大家一边吃巧克力一边聊天；严老师给他们上魔法课，变出了许许多多的彩色青蛙，他们一起唱“呱呱呱”……

　　第二天，超级保姆给朵朵吃了一块小圆饼。朵朵在严老师给自己补课的时候，摸着准备送给珠珠的幸运星，口中默念“呱呱呱”，从抽屉里蹦出了许多五彩缤纷的青蛙，严老师吓坏，晕倒在教室里。女生们去珠珠家虽然吃到了美味的萝莉蛋糕，却错过了“青蛙事件”，于是朵朵出了大风头……

　　星期天，天气很好。朵朵邀请芳芳和雷雷一起去烧烤。哇，公园的人好多啊，孩子们希望公园里只有他们四个。胖保姆说：“大家都饿了吧，呐，小圆饼给。”他们不知道超级保姆的小圆饼可以实现人的愿望，吃完之后，公园只剩下他们四个了。烧烤摊上到处都是血淋林的鸡腿、牛肉、羊排、鸭翅。偌大的公园空无一人，他们走的汗流浃背。朵朵、芳芳、雷雷不知道如果再吃一块小圆饼，他们就会看到人了……

　　还有更有趣的事呢，如：芳芳变成了一只小猪；朵朵枕着《成语词典》睡觉，尽做成语梦；由于教音乐的马老师骂四（一）的同学像驴子一样笨，所以同学们都变成了驴子；超级保姆把同学们带到了蓝色村，大家在蓝色村里玩驴球等。

　　故事的结尾朵朵说：“不管我长多大，神秘的超级保姆都将是我童年最美好的记忆！”

读后感的作文600字 篇4

　　读完《岳阳楼记》，范仲淹“先天下之忧而忧，后天下之乐而乐”的情怀固然让人敬佩，然而让我陷入沉思的是，面对同一美景，迁客骚人们却有着不同的情怀，为何？是啊，因为他们没有忘记，忘记过去的兴衰荣辱！要知道，生活是需要忘记的。20xx年，盐湖城冬奥会冠军大杨洋选择了退役，尽管这一年，她几乎拿遍了所有自己参加短道速滑项目的金牌，然而她依然选择了离开。她说，她赢得委屈。其实，她是没有忘记，没有忘记自己过去的成功，致使她一直生活再胜利的光罩之中。一年后，大杨洋又回到了冰场，没有金色的光芒照耀，她压抑的心，又一次快乐了，尽情地在冰上舞跃，才发现生活如此美丽。的确，生活是需要忘记的，忘记过去的成功，正如那句话所说“好汉不提当年勇”。

　　因为只有这样，我们才能够以一颗平和之心面对眼前的一切，生活也才会因此多姿多彩。当然，我们还需要忘记过去的失败。过去的失败在生活中犹如一道阴霾，它挡住了明亮的阳光，它让启明星无法闪耀光辉，让黎明永藏于山的那一边。忘记失败，为阴沉沉的牢笼开一扇窗，阳光会争先恐后地进来，让生活的牢笼变得如此敞亮，它们能够照亮成功的路。生活是需要忘记的，忘记过去的争斗，忘记过去的不和，以一颗宽容的心去面对事态万千，斤斤计较只会让你的生活越发颓废，海纳百川，有容乃大。有人说，生活需要怀旧。可是，我们不能生活在过去中，因为我们无法回到过去。未来才是我们真正的目标，生活需要忘记，忘记过去，让过去成为一张白纸，一切从零开始。是啊，生活是需要忘记的，忘记过去的一切，平和地面对眼前的一切吧！

读后感的作文600字 篇5

　　读了《梦想的力量》，我大有感触，而且尤其佩服文中的瑞恩。瑞恩尽管只有六岁，但他却有属于自己的梦想。

　　”瑞恩的第一项工作是为地毯吸尘。哥哥和弟弟都出去玩了，瑞恩干了两个小时“。六岁多的孩子，大概最多也就读一年级。六岁，正是一个孩子最贪玩的时候，换作是哪个六岁的孩子，都会抑制不住地跑去玩耍。而瑞恩为了攒钱，宁愿牺牲自己宝贵的玩耍时间，留下来做家务。瑞恩心里一定也很想与自己的兄弟们一起玩耍，但他克制住了这种欲望，为的只是给非洲人民挖一口井。而换作是像我们一样的五年级学生，估计也会因耐不住寂寞而放弃的吧。

　　”暴风雪过后，邻居请他去帮忙捡落下的树枝“，要知道那可是暴风啊！瑞恩原本完全可以拒绝邻居的请求，自己在家里好好休息、玩耍。但他没有这么做。，我们完全可以想象：瑞恩在及膝深的皑皑白雪中，一点点地向前”挪动“，树上的雪飘落下来，落在他的身上，瑞恩好像变成了一个白头发老翁。他弯腰捡起积雪上的树枝，又继续在厚厚的大雪中举步维艰地行进……本来，他应当在温暖舒适的家中避寒，可他为了攒到钱，再次放弃了自己的玩耍时间。

　　还有，”可是，让瑞恩通过自己干活来攒够20xx元，实在是太困难。尽管如此，瑞恩并没有放弃“。对于一个孩子来说，20xx元真的是个天文数字，也是许多孩子做梦也想不到要去得到它的。虽然这很困难，但瑞恩并没有就此放弃。而且，他不但没有放弃，反而更加努力，他为了坚持自己的梦想，愿意一直努力下去。

　　最终，瑞恩凑齐了打一口井的钱。是什么驱使瑞恩有这么大的力量？是他的梦想，是他对非洲儿童的爱。梦想与爱，是一个人最大的力量！

读后感的作文600字 篇6

　　有时，你低头望是墙下冰冷的水泥板，而当你转变思路，朝天空望去时，你就会看到群星闪烁，耀眼无比。请记住，换个角度会更美。

　　爱因斯坦是人人皆知的科学巨星，他常常独自一人孤独地研究、探索、发现。幼年，他是那么的不合群，但他又是那么质朴、谦和、宽厚。当他知道原子弹造成的.悲剧后，沉思、心事重重；他提出的相对论——E=mc，赢得了大家的喝彩。

　　他的衣着不修边幅；

　　他的内心宽容无私；

　　他的态度真诚、执著……

　　他，就是“爱因斯坦”！

　　当然，换个角度，还需要有冲破束缚的勇气。爱因斯坦出生在物理急剧变革的时代。当时，一系列新物理现象相继出现。古典物理学难以做出解释，所以，很多物理学家只是对原理论修修补补。但爱因斯坦却鹤立鸡群，选择换个角度看问题。他对传统理论开始了大胆挑战，因此，他成就了自己的伟大！

　　记得一个故事：1848年，美国加州发现了金矿，随后的淘金者便蜂拥而至地西部淘金，一条大河拦住了通往淘金地的去路。有一个人灵机一动，在河上做起了摆渡生意，因金矿而涌来的淘金者令他的生意格外兴隆。不过几年，他便成了一支大船队的老板。面对蜂拥而至的淘金大军，在多数人眼里，他们看到的只是“金子”，而那位聪明人却从中找到了“商机”。从另一个角度望去，在惊涛骇浪中看出了另一种“金子”，另一种财富！

　　换个角度，思常人所不能思，从一个新视觉出发，你可以创造自己的美丽传奇！

　　我们不能做盲目地跟从者，应选择一个新视角，用勇气和智慧开辟一条属于自己的新路。当你因逃不出束缚，看不到希望而悲观时，请换个角度，你将听到一个美丽新世界的号召，带领你走向成功之路。

　　请记住：换个角度会更美。

读后感的作文600字 篇7

　　在小学思想品德书中我学习过一篇课文——《假如只给我三天光明》，当时的感觉就是震撼。时隔两年，我再次翻看《假如只给我三天光明》的书籍，其中依然没有什么惊心动魄的事件，但却又一次深深的打动了我，他给予我的除了震撼，还有感动。

文中的主人公叫海。凯特。在别人的眼里海伦。凯特是不幸的，她19个月时失去了视觉、听觉和无言能力，从此与这个世界失去了沟通，失去了联系。然而，她又是幸运的，因为有了知识，孤独的海伦意识到只有知识才能铺救一条通向光明的路。海伦创造了一个又一个的奇迹；不但考上了哈弗大学，而且一生中又写了很多部著作，她还多方奔走，在全美建起了多家慈善机构，办成了一般健全人也不一定办得到的事。 海伦。凯特之所以成功的原因是通过学习。在我秦子龙来到这个世上的那一刻起，我就开始了学习。

每天每分每秒我无时不在学习。例如：小时候，我蹒跚学步、咿呀学语；长大了，我独立思考、学会创造。从生活的本领到做人的道理，一切知识，技能皆来自学习。还有我从歪歪扭扭写下第一个字，便赶到了学习的快乐；从第一次走入课堂，我就把学习纳入到人生的主要活动之中。正如海伦。凯特所说：“生活像一首歌，只有学习才会识谱哼歌；人生像一本书，只有学习才能写就辉煌。” 学习可以使我辨明是非美丑，塑造健康人生，培养高尚品德、正确把握人生之舵；学习可以提高我的品德修养；学习可以增长我的知识；学习才能促使我适应社会发展需要。学习认识，既获取理解的手段；学会做事，以便能够对自己 所处的环境产生影响；学会共处，以便与他人一道参加活动，并在其中进行合作；学会生存，充分发展自己的人格，增强自主性、判断力和个人的责任感来行动。”

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《我的世界下雪了》，好优美的词语，才捧起还没来得及细读就已喜欢上了它，就像喜欢它的主人一样，喜欢她的那种朴素、真面和你交流、诉说的表达方式。读罢，恨自己不能也随她一同走进那个端庄、宁静、圣洁的世界，同她一起黄昏漫步看坝上风光、暮归的羊群、漫卷的夕阳、撩人的月色，跟她一同回望故乡、邻里、往事、乡愁……
　　迟子建的故乡有个美丽的名字——北极村，从那寂静而又遥远的冰凉世界里走出来的迟子建似乎浸染故乡的灵气，平淡、质朴、唯美。一句“我之所以喜欢回到故乡，就是因为在这里，我的眼睛、心灵与双足都有理想的漫步之处”，我便被深深打动了，简简单单的一句话，那份对故乡的挚爱、那浓浓的故乡情结便跃然纸上。我也是个喜欢文字的人，可往往却不能用简单的文字准确地表达出自己的心境，读着迟子建的文字，在喜欢之余更多的是钦佩。
　　读到迟子建描写的中秋月，字里行间透出的灵气，便让我随她看一轮经历了风雨和霜雪的中秋月，实在是难得一遇了。“月光透过窗棂漫进屋子，将床照得泛出暖融融的白光，沐浴着月光的我就有在云中漫步的曼妙的感觉。……九点多，由西南而飞向东北方向的庞大云层就像百万大军一样越过银河，绝大部分消失了踪影，月亮完满地现身了。……此时的月亮看上去就像一个巨大的蜜橙，让人觉得它荡漾出的清辉，是洋溢着浓郁的甜香气的……”。相信看过了这样一轮月亮人，整个晚上梦境里就只有光明和甜香气了。
　　至于当迟子建挽着爱人的手，顶着漫天飞雪走在故土白雪茫茫的堤坝上时，那无与伦比的美好滋生了她伤感的情绪，走着走着忽然落下了眼泪，再到三个月后爱人的撒手西归，她终将被亘古的苍凉永远环绕着！或许，这就是生活的无常。我似乎触摸到迟子建那无穷无尽的泪花及厚似冰河的忧伤，不禁心生惆怅而潮湿眼眶。“所幸青山和流水仍在，河柳与青杨仍在，明月也仍在，我的目光和心灵都有可栖息的地方，我的笔也有最动情的触点”，所幸的是，现在的迟子建已别无选择地承受了生活的变故，人生的曲折，完成了生命中的一次伟大蜕变。

Peter Pan is a character created by Scottish novelist and playwright J. M. Barrie (1860–1937). A mischievous boy who can fly and magically refuses to grow up, Peter Pan spends his never-ending childhood adventuring on the small island of Neverland as the leader of his gang the Lost Boys, interacting with mermaids, Indians, fairies and pirates, and from time to time meeting ordinary children from the world outside. In addition to two distinct works by Barrie, the character has been featured in a variety of media and merchandise, both adapting and expanding on Barrie's works.
Peter Pan first appeared in a section of The Little White Bird, a 1902 novel written for adults. Following the highly successful debut of the play about Peter Pan in 1904, Barrie's publishers, Hodder and Stoughton, extracted chapters 13–18 of The Little White Bird and republished them in 1906 under the title Peter Pan in Kensington Gardens, with the addition of illustrations by Arthur Rackham.[1]
The character's best-known adventure debuted on 27 December 1904, in the stage play Peter Pan, or The Boy Who Wouldn't Grow Up. This story was adapted and expanded somewhat as a novel, published in 1911 as Peter and Wendy, later as Peter Pan and Wendy, and still later as simply Peter Pan.
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History
Peter Pan has appeared in numerous adaptations, sequels, and prequels since then, including the widely known 1953 animated feature film Walt Disney's Peter Pan, various stage musicals (including one by Jerome Robbins, starring Cyril Ritchard and Mary Martin, filmed for television), live-action feature films Hook (1991) and Peter Pan (2003), and the authorized sequel novel Peter Pan in Scarlet (2006). He has also appeared in various works not authorized by the holders of the character's copyright, which has lapsed in most parts of the world. A major new stage production that will tour internationally was performed in Summer 2009 in Kensington Gardens in a specially built theatre pavilion within view of the Peter Pan statue. The production opens in the US in May 2021.
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Major stories
Of the stories written about Peter Pan, several have gained widespread notability. See Works based on Peter Pan for a list of books, films, etc. featuring these and other Peter Pan stories.
Peter Pan in Kensington Gardens – Infant Peter flies from his home, makes friends with fairies, and takes up residence in Kensington Gardens. A "book-within-a-book" first published in Barrie's The Little White Bird.
Peter Pan, or The Boy Who Wouldn't Grow Up/Peter and Wendy – Peter brings Wendy and her brothers to Never Land, where he has a climactic showdown with his nemesis Captain Hook. Originally told in Barrie's stage play and novel, and repeatedly adapted in various media.
Hook – Peter has grown up, forgotten about his life in Never Land, and has a wife and children of his own. While the family is in London visiting elderly Wendy, Captain Hook abducts Peter's children to lure him back for a final duel to the death. A film by Steven Spielberg.
Return to Never Land – During World War II, Wendy's slightly war-hardened daughter Jane is taken to Neverland by Captain Hook, but Peter saves her and asks her to be the Lost Boys' new "mother". A film by Disney.
Peter and the Starcatchers, Peter and the Shadow Thieves, Peter and the Secret of Rundoon – Peter leaves a London orphanage for a series of adventures which offer an origin story for Captain Hook, fairies, his abilities, and the Lost Boys. Novels by Dave Barry and Ridley Pearson.
Peter Pan in Scarlet – Wendy, John, and most of the Lost Boys return to Neverland, where Peter has begun to take Captain Hook's place. A novel by Geraldine McCaughrean, an official sequel to Peter and Wendy.
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Appearance
Barrie never described Peter's appearance in detail, even in the novel Peter and Wendy, leaving much of it to the imagination of the reader and the interpretation of anyone adapting the character. Barrie mentions in "Peter and Wendy" that Peter Pan still had all of his baby teeth. He describes him as a beautiful boy with a beautiful smile, "clad in skeleton leaves and the juices that flow from trees". In the play, Peter's outfit is made of autumn leaves and cobwebs. His name and playing the flute vaguely suggest the mythological character Pan.
Traditionally the character has been played on stage by an adult woman, a decision driven primarily by the difficulty of casting actors even younger than the one playing Peter as the other children, so the presentation of the character on stage has never been viewed as implying how Peter "really" looks.
In Peter Pan in Scarlet, Geraldine McCaughrean adds to the description of his appearance, mentioning his blue eyes, and saying that his hair is light (or at least any colour lighter than black). In this novel, Never Land has moved on to autumn, so Peter wears a tunic of jay feathers and maple leaves, rather than his summertime garb. In the 'Starcatcher' stories written by Dave Barry and Ridley Pearson, Peter has carrot-orange hair and bright blue eyes.
In the Disney films, Peter wears an outfit that is easier to animate, consisting of a short-sleeved green tunic and tights apparently made of cloth, and a cap with a feather in it. He has pointed elf-like ears, and his hair is orangish brown. In the live-action 2003 film, he is portrayed by Jeremy Sumpter, who has blond hair and blue eyes, and his outfit is made of leaves and vines. In Hook, he appears as an adult as Robin Williams with dark brown hair, but in flashbacks to his youth his hair is more orangish. In this film his ears appear pointed only when he is "Peter Pan", not "Peter Banning"; his Pan clothing resembles the Disney outfit.
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Age

Statue of Peter Pan in LondonIronically, the "boy who wouldn't grow up" has appeared at a variety of ages. In his original appearance in The Little White Bird he was only seven days old. Although his age is not stated in Barrie's later play and novel, his characterization is clearly years older. The book states that he has all of his baby teeth, and Barrie's intended model for the statue of Peter that was erected in Kensington Gardens was a set of photos of Michael Llewelyn Davies taken at the age of six. Early illustrations of the character generally appeared to be that age or perhaps a few years older. In the 1953 Disney adaptation and its 2002 sequel, Peter appears to be in late childhood, between 10 and 13 years old. (The actor who provided the voice in 1953 was 15-year-old Bobby Driscoll.) In the 2003 film, Jeremy Sumpter was 13 at the time filming started, but by the end of filming he was 14 and had grown several inches taller. In the movie Hook, Peter is said to have left Neverland many years earlier, forsaking his eternal youth and aging normally. When remembering his buried past, Peter is shown as a baby, and little boy, and also a near-teenager, suggesting that the aging process does not entirely stop in Neverland until puberty or just before. When Peter says "I remember you being a lot bigger," in the final duel, Hook answers, "to a 10-year-old I'm huge." He is portrayed by the then 40-year-old Robin Williams, and has two children, played by actors who were 7 and 13 years old at the time.
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Personality

Statue of Peter Pan in KirriemuirPeter is mainly an exaggerated stereotype of a boastful and careless boy. He is quick to point out how great he is, even when such claims are questionable (such as when he congratulates himself for Wendy's successful reattachment of his shadow).
Peter has a nonchalant, devil-may-care attitude, and is fearlessly cocky when it comes to putting himself in danger. Barrie writes that when Peter thought he was going to die on Marooner's Rock, he felt scared, yet he felt only one shudder run through him when any other person would have felt scared up until death. With his blissful unawareness of the tragedy of death, he says, "To die will be an awfully big adventure".
In some variations of the story and some spin-offs, Peter can also be quite nasty and selfish. In the Disney adaptation of the tale, Peter appears very judgmental and pompous (for example, he called the Lost Boys 'blockheads' and when the Darling children say that they should leave for home at once, he gets the wrong message and angrily assumes that they want to grow up).
In the 2003 live-action film, Peter Pan is sensitive about the subject of "growing up". When confronted by Hook about Wendy growing up, marrying and eventually "shutting the window" on Peter, he becomes very depressed and finally loses the will to fight.
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Abilities
Peter's archetypal ability is his un-ending youth. In "Peter and Wendy" it is explained that Peter must forget his own adventures and what he learns about the world in order to stay child-like. Author Kevin Orlin Johnson argues that the Pan stories are in the German-English tradition of the Totenkindergeschichte (roughly, "tales of dead children"), and the idea that Peter and all of the lost boys are dead in a Never Land afterlife is consistent with that genre, and rooted in Barrie's own life story.[citation needed] The fact that the other Lost Boys are growing up and able to be killed in Peter and Wendy contradicts this idea. The unauthorized prequels by Barry and Pearson attribute Peter's everlasting youth to his exposure to starstuff, a magical substance which has fallen to earth.
Peter's ability to fly is explained somewhat, but inconsistently. In The Little White Bird he is able to fly because he – like all babies – is part bird. In the play and novel, he teaches the Darling children to fly using a combination of "lovely wonderful thoughts" (which became "happy thoughts" in Disney's film) and fairy dust; it is unclear whether he is serious about "happy thoughts" being required (it was stated in the novel that this was merely a silly diversion from the fairy dust being the true source), or whether he requires the fairy dust himself. In Hook, the adult Peter is unable to fly until he remembers his 'happy thought'. The ability to fly is also attributed to starstuff – apparently the same thing as fairy dust – in the Starcatcher prequels.
Peter has an effect on the whole of Never Land and its inhabitants when he is there. Barrie states that although Never Land appears different to every child, the island "wakes up" when he returns from his trip to London. In the chapter 'The Mermaid Lagoon' in Peter and Wendy, Barrie writes that there is almost nothing that Peter cannot do. He is a skilled swordsman, rivaling even Captain Hook, whose hand he cut off in a duel. He has remarkably keen vision and hearing. He is skilled in mimicry, copying the voice of Hook, and the tick-tock of the Crocodile.
In both Peter Pan and Wendy and Peter Pan in Scarlet, there are various mentions of Peter's ability to imagine things into existence, such as food, though this ability plays a more central role in Peter Pan in Scarlet. He also creates imaginary windows and doors as a kind of physical metaphor for ignoring or shunning his companions. He is said to be able to feel danger when it is near. In Peter Pan in Scarlet, it says that when Curly's puppy licks Peter, it licks off a lot of fairy dust, which may be interpreted to mean that he has become fairy-like to the point of producing his own dust, but could also simply mean that he spends so much time with fairies that he is coated in their dust.
In Peter and Wendy, Barrie states that the Peter Pan legend Mrs Darling heard as a child was that when children died, he accompanied them part of the way to their destination so that they would not be scared.
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Relationships
Peter does not know his parents. In Kensington Gardens Barrie wrote that he left them as an infant, and seeing the window closed and a new baby in the house when he returned, he assumed they no longer wanted him. In Starcatchers he is said to be an orphan, though his friends Molly and George discover who his parents are in Rundoon. In Hook, Peter remembers his parents, specifically his mother, who wanted him to grow up and go to the best schools in London to become a judge and have a family life. After Peter "ran away" to Neverland, he returns to find his parents forgot about him and had another child (the gender of Peter's sibling is revealed to be another boy in "Peter and Wendy").
Peter is the leader of the Lost Boys, a band of boys who were lost by their parents, and came to live in Neverland; it is reported that he "thins them out" when they start to grow up. He is best friends with Tinker Bell, a common fairy who is often jealously protective of him.
His nemesis is Captain Hook, whose hand he cut off in a duel. Hook's crew, including Smee and Starkey, also consider him a foe. The Starcatchers books introduce additional foes: Slank, Lord Ombra, and Captain Nerezza.
From time to time Peter visits the real world, particularly around Kensington Gardens, and befriends children there. Wendy Darling, whom he recruited to be his "mother", is the most significant of them; he also brings her brothers John and Michael to Never Land at her request. He later befriends Wendy's daughter Jane (and her subsequent daughter Margaret), and Peter and Wendy says that he will continue this pattern indefinitely. In Starcatchers he previously befriends Molly Aster and young George Darling.
Peter appears to be known to all the residents of Neverland, including the Indian princess Tiger Lily and her tribe, the mermaids, and the fairies.
In Hook, Peter states the reason he wanted to grow up was to be a father. He married Wendy's granddaughter, Moira, and they have two children, Maggie and Jack.
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In popular culture
The character of Peter Pan (or thinly disguised versions of him) has appeared in countless tributes and parodies, and has been the subject of several later works of fiction. (See Works based on Peter Pan for notable examples.) J. R. R. Tolkien's biographer Humphrey Carpenter has speculated that Tolkien's impressions of a production of Barrie's Peter Pan in Birmingham in 1910 "may have had a little to do with" his original conception of the Elves of Middle Earth.[2] Since featuring the character in their 1953 animated film, Walt Disney has continued to use him as one of their traditional characters, featuring him in the sequel film Return to Neverland and in their parks as a meetable character, and the focus of the dark ride, Peter Pan's Flight; he appears in House of Mouse, Mickey's Magical Christmas, and the Kingdom Hearts video games.
The name "Peter Pan" has been adopted for various purposes over the years. Three thoroughbred racehorses have been given the name, the first born in 1904. It has been adopted by several businesses, including Peter Pan peanut butter, Peter Pan Bus Lines, and Peter Pan Records. An early 1960s program in which Cuban children were sent unattended to Miami to escape feared mistreatment under the then-new Castro regime was called Operation Peter Pan (or "Operación Pedro Pan"). The term Peter Pan syndrome was popularized in 1983 by a book with that name, about individuals (usually male) with underdeveloped maturity.
Peter Pan is depicted in public sculpture. There are seven statues cast from a mould by sculptor George Frampton, following an original commission by Barrie in 1912. The statues are in Kensington Gardens in London, England; Liverpool, England; Brussels, Belgium; Camden, New Jersey, United States; Perth, Western Australia; Toronto, Ontario,[3] Canada; and St. John's, Newfoundland, Canada. Two more statues (though not of Frampton's mould) are in Kirriemuir, Scotland, the birthplace of JM Barrie. A new bronze statue by Diarmuid Byron O'Connor was commissioned by Great Ormond Street Hospital in London and unveiled in 2000, showing Peter blowing fairy dust, with Tinker Bell added in 2005.