读罢红楼，心里酸酸的。不知是为了什么。是为了荣宁二府的家破人亡？红粉丽人的香消玉殒？还是投机分子的欺世盗名？好像每种都有一点。但总是觉得那不是全部。从一个男人的角度分析，我豁然开朗，这是嫉妒。我在隐隐之中对宝玉产生了醋意。说来也真是惭愧，但是有几个男性看到一个纨绔子弟的周围无缘无故的缠绕着数不胜数的美女而不心酸呢？
　
　　说到这，红楼梦里的爱情故事还真是数不胜数。首先力推的，就是宝黛的红粉痴恋。在红楼梦里要数这两个人的爱情最纯洁了。从两小无猜，青梅出马，到长大后的坠入爱河。曹公简直就是顺水推舟，让读者感到，世间又一份千古流芳的爱情故事诞生了。它的出现是那么的自然，几乎没有人怀疑过，它的出现是那么纯洁，纤尘不染。但是生不逢时的爱情就是痛苦的代名词。黛玉性格里独有的叛逆和孤僻，以及对世俗的不屑一顾，令她处处显得特立独行，卓尔不群。花前痴读西厢，毫无避讳；不喜巧言令色，言随心至；崇尚真情真意，淡泊名利……种种这般，都使得她象一朵幽然独放的荷花，始终执著着自己的那份清纯，质本洁来还洁去，一如碧玉般盈澈。用一个普通人的眼光看她，最欣赏的还是黛玉的诗情画意，灵秀慧黠。黛玉每每与姐妹们饮酒赏花吟诗作对，总是才气逼人，艺压群芳。无论是少年听雨歌楼上的诗情，清寒入骨我欲仙的画意；还是草木黄落雁南归的凄凉，花气温柔能解语的幽情；无不体现出她娟雅脱俗的诗人气质。最叹息的是黛玉的多愁善感，红颜薄命。黛玉的身世，注定了她的孤独无依，而她的性格，又注定了她的寥落忧伤。纵使大观园里人来人往好不热闹，可是这里没有她可以依靠的亲人，没有她可以倾诉的知己，只有风流多情的宝玉让她芳心暗许，却又总是患得患失。于是她无奈着
“天尽头，何处有丘”，悲哀着“三月香巢已垒成，梁间燕子套无情”，伤感着“花谢花飞飞满天，红消香断有谁怜”，终落得“一缕香魂随风散，三更不曾入梦来”的凄凉结局。
　
　　与其说林黛玉在贾府的地位和自身的懦弱是悲剧的起因，还不如把责任轨道万恶的封建社会以元春为首的封建集团无情的扼杀了宝玉和黛玉之间的爱情。如果红楼梦真的是曹雪芹亲身经历的描述，那么我可以感受到一个失去至爱的男人的痛苦。地狱的烈火在身边燃烧，苦不堪言，使我的思想静止不前，这不是切肤之痛，却是切肤之爱。当血泪撒尽的曹公转身面对不堪回首的历史怎能不发出“满纸荒唐言，一把辛酸泪”的感叹！
　
　　还有要说的就是薛宝钗的爱情悲剧了。看到黛玉的郁郁而终,依然那么难过。可待到读完,听甄世隐说着什

"A dream of red mansions" written by a large and filled the tragedy story. The family tragedy, the shadow of a dream of red mansions all tragedies. In a dream of red mansions of tragedy, the bao of tragedy, because Chai twelve characters, most of the true, the good and the quality and become a tragic hero. But JiaFu power levels of decline is ultimately tragic nature? This actually relates to a kind of social phenomenon and social system of historical destiny and value problem, namely, a tragedy and the unity of history. From the historical tragedy and the same class, declining, fall the destruction of the system also has a tragic. Hegel's philosophy and aesthetics in western aesthetes, most of philosophers. The tragedy of Hegel's view of history is the important component. In the history of the development of his thoughts, in dialectical relationship with the theory of tragedy is directly under the two ideas are: first, he thought, "who is the reality that the reasonable, reasonable is realistic;" Second, he thinks the development of world history is the social form to advanced social form. And from the development and change of the eye, there is the rationality and necessity, finally will lose its existence rationality, become unreasonable. Marx and Engels is the tragedy of Hegel sublation of tragedies. For before a unreasonable tragedy, Marx points out its nature is the inevitable requirement of "history with the requirements may not happen in the conflict between the tragedy;" But after an unreasonable to emphasize its FuXiuXing, when Marx, called "; "farce After a while emphasizing on its value of unreasonable self-confidence, Marx is called the tragic: "when the old system since ancient times, there is the world power, and freedom but was suddenly thought of ideology, the others - in other words, when the old system itself and should also believe that is reasonable, the old system of history is the tragic." Since the middle of 20th century (1), China's theory of tragedy in a most unreasonable, whether realistic aesthetic or subjective philosophy, aesthetics of emerging -- to the future of humanity, and the tragedy of historical trend. Life operation However, Chinese classical writers and works for the evaluation, after a "unreasonable" tragedy must be equal attention. In a dream of red mansions ", especially such. If the subjective philosophy of tragedy, and is designed to emphasize tragedy and existence of the same value experience, experience, marxist philosophy of tragedy, it is the historical tragedy and to emphasize the same, but this "history is the pursuit of his purpose of activity", hence, the tragedy of marxist historical interpretations on architectural development and social relations and economic relations on the basis of the analysis. With the essence of tragedy from the historical link up interpretation of a dream of red mansions tragedies, we can notice "a dream of red mansions" the tragedy of the rich connotation. From the society, we'll split noticed the class struggle, "From the inevitable requirement of history with the requirement of virtually impossible realization of the conflict between the tragic", we can notice of a dream of red mansions "liberation" (or suitable unfettered) historical plight, From the perspective of alienation, this kind of tragedy in a dream of red mansions is more common, the Angle of the subject to transcend.

没读过英文，外国人看英文版红楼梦，也没觉得特别好，红楼梦里的古诗词，意境，不是英文能翻译的出来的